Introducción al Object ID
  Prólogo
  El equipo
  Introducción
  Pimera parte
  Bibliografía
bibliografía
Bibliografía

Art and Architecture Thesaurus. Los Angeles: Getty Information Institute. The AAT is available, free of charge, on the World Wide Web at www.gii.getty.edu. The AAT is also available through on-line services. In addition, AAT data is available for licensing to organizations developing their own data management systems. For more information contact aat@gii.getty.edu.

Bernasconi, J.R. Inventories and Catalogues for Auctioneers. London: Estates Gazette Ltd., 1976.

Besser, H. and Trant, J. Introduction to Imaging. Santa Monica: The Getty Art History Information Program, 1995.

Bostick, W.A. The Guarding of Cultural Property. Paris: UNESCO, 1977.

Brun, R.S. Church Security: A Simple Guide. London: Council for the Care of Churches, 1989.

_________. "The Photography of Church Furnishings for Record and Security". Churchscape, Vol. 9 (1990), 23-37.

Buchanan, T. Photographing Historic Buildings. London: Her Majesty’s Stationery Office, 1983.

By-Laws and Code of Ethics, New York: Appraisers Association of America, 1987.

Categories for the Description of Works of Art. Santa Monica: The Getty Art History Information Program, 1997.

Chenhall, R.G., and Homulos, P. "Museum Data Standards". Museum, Vol. 314 (1978): 205-212.

Church Protection. Gloucester (U.K.): Ecclesiastical Insurance Group, n.d.

Clement, E., and Askerud, P. Preventing the Illicit Traffic in Cultural Property: a Resource Handbook for the Implementation of the 1970 UNESCO Convention. Paris: UNESCO, 1997.

Collins, S. How to Photograph Works of Art. New York: Amphoto, 1992.

Crago, G., and Jeffrey, G. Safe and Sound?: A Guide to Church Security. London: Council for the Care of Churches, 1996.

Crime Prevention News (London). "The Fine Art of Beating Burglars". July/August/September 1995.

Davison, P. The Camcorder User’s Video Handbook. Boxtree: London, 1993.

Dean, J. Architectural Photography. Nashville: American Association for State and Local History, 1981.

Dorrell, P.G. Photography in Archaeology and Conservation. 2nd ed. Cambridge: Cambridge University Press, 1994

Evans, J. Photographic Lighting in Practice. London: Newton Abbot: David and Charles, 1984.

Gerard, R. "Authority Reference Tool Edition for the Art & Architecture Thesaurus: A Review of Version 1.0 and Update". Spectra, Vol. 21, No. 1 (June 1993): 26-27. Getty Art History Information Program and International Council of Museums International Documentation Committee. Developments in International Museum and Cultural Heritage Information Standards. Santa Monica: Getty Art History Information Program; ICOM International Documentation Committee, 1993.

Grant, A. Spectrum: The U.K. Museum Documentation Standard. Cambridge: Museum Documentation Association, 1994.

Greene, M. "Art Theft Computers". Arts Review, Vol. 42 (April 20, 1990): 213.

A Handbook on the Appraisal of Personal Property. Washington, D.C.: American Society of Appraisers, 1989.

Handbook of Standards, Documenting African Collections. Paris: International Council of Museums, 1996.

Holm, S. Facts and Artifacts: How to Document a Museum Collection. Cambridge: Museum Documentation Association, 1991.

ICONCLASS. The ICONCLASS System and Bibliography, together with a very extensive alphabetical index, were published in 17 volumes by the Koninklijke Nederlandse Akademie van Wetenschappen (KNAW), in the years between 1973 and 1985. ICONCLASS is also available on the Web at www.iconclass.let.uu.nl.

International Art and Antiques Loss Register Ltd. 1993/1994 Annual Review. London: Art Loss Register, 1994. Journal of Commerce (June 1993).

Keene, S. "Audits of Care: A Framework for Collections Condition Surveys". Preprints of the RAI Conference, United Kingdom Institute of Conservators, London, October 1991: 6-16.

Liston, D., ed., Museum Security and Protection: A Handbook for Cultural Heritage Institutions. London: International Council of Museums and Routledge, 1993.

Manual of Guidance on the Completion of the CRIGEN/ART Form, Lyon: Interpol Secretariat General, 1996.

Marx, W.P. "Improvement to Risk Management and Security: the Influence of the Insurance Industry". Art Theft and its Control Conference, London, November 1995.

Matters, M. "The Development of Common Descriptive Standards: Lessons From the Archival Community". Spectra, Vol. 17, No. 2 (June 1990): 11-13.

Minimum Categories for Museum Objects: Proposed Guidelines for an International Standard. Paris: International Council of Museums, 1994.

One Hundred Missing Objects: Looting in Africa. Paris: International Council of Museums, 1994.

One Hundred Missing Objects: Looting in Angkor. Paris: International Council of Museums, 1993.

A Picture Can Paint a Thousand Words. produced for the Arts and Antiques Squad of the Metropolitan Police (U.K.) by Hiscox Underwriting, London, n.d.

Porter, V., and Thornes, R. A Guide to the Description of Architectural Drawings. Boston: G. K. Hall, 1994.

des Portes, E. "ICOM and the Battle Against Illicit Traffic of Cultural Property". Museum International. Vol. 48, No. 3 (1996).

_________. "The Fight against Illicit Traffic in Cultural Property: A Priority for Museum Professionals". Illicit Traffic in Cultural Property: Museums against Pillage. Amsterdam: Royal Tropical Institute and Musée National du Mali, 1995.

Protect Your Art & Antiques, London: Metropolitan Police, 1998.

Protecting Cultural Objects in the Global Information Society (video), Santa Monica: Getty Information Institute, 1996.

Prown, J. "Mind in Matter: An Introduction to Material Culture Theory and Method", in Pearce, S. M. (ed.) Interpreting Objects and Collections. London: Routledge, 1994.

Roberts, [D.] A. "International and National Developments in Museum Information Standards". Computers and the History of Art, Vol. 3, No. 1 (1992): 3-6.

Roberts, [D.] A., ed. Collections Management for Museums. Cambridge: Museum Documentation Association, 1988.

___________, ed. European Museum Documentation Strategies and Standards. Cambridge: Museum Documentation Association, 1993.

Roberts. [D.] A., and Light, R.B. "Progress in Documentation". Journal of Documentation. Vol. 36, No. 1 (1980).

Rosen, D., and Marceau, H. A Study in the Use of Photographs in the Identification of Paintings. New York, London: Garland Publishing, 1975: 75-87.

Schultz, A. W., ed. Caring for Your Collections. New York: Harry N. Abrams (for the National Institute for the Conservation of Cultural Property), 1992.

Sorlien, P.C. Valuation Research and Analysis. A Handbook on the Appraisal of Personal Property. Washington, D.C.: American Society of Appraisers, 1989.

Soucy, C., and Smyth, J.N., ed. The Appraisal of Personal Property: Principles, Theories, and Practice Methods for the Professional Appraiser. Washington, D.C.: American Society of Appraisers, 1994.

Thornes, R. Protecting Cultural Objects through International Documentation Standards: A Preliminary Survey. Santa Monica: Getty Art History Information Program, 1995.

Thornes, R. Protecting Cultural Objects in the Global Information Society: The Making of Object ID. Santa Monica: Getty Information Institute, 1997.

Thornes, R. and Bold, J., ed. Documenting the Cultural Heritage. Los Angeles: Getty Information Institute, 1998.

"Tracing Stolen Art". Museums International, Vol. 45, No. 1 (1993): 61-63.

Tubb, K., ed. Antiquities Trade or Betrayed: Legal, Ethical and Conservation Issues. London: Archetype, 1995.

Turner, J., ed. Dictionary of Art. London: Macmillan, New York: Grove, 1996.

Uniform Standards of Professional Practice. Washington, D.C.: The Appraisal Foundation, 1997.

Union List of Artist Names. Los Angeles: Getty Information Institute. The ULAN is available, free of charge, on the Web at www.gii.getty.edu. ULAN data is also available for licensing to organizations developing their own data management systems. For more information contact aat@gii.getty.edu.

Wickham, A. "Church Recording". Surrey Archaeological Collections, Vol. 80 (1990): 153-159.

arriba

anterior | indice | Object ID